Ibby Caputo is a freelance journalist based in the Ozark Mountains of Arkansas. She has discussed U.S. Prisoners in Iran for the general public radio display The World, on executions in Arkansas for Slate, and the gender pay gap for NPR and Boston Globe Magazine. She is presently a podcast tale editor for National Geographic.
Caputo’s paintings have additionally aired on Marketplace, WGBH, WNYC, Scene on Radio, Australia Public Broadcasting’s Radiotonic, and the BBC Indicates Short Cuts and Boston Calling. Her journalism, essays, and images have been posted in the New York Times, the Washington Post, Slate, the Chicago Tribune, the Times-Picayune, and theAtlantic.com, among different outlets.
In 2014, Caputo became an MIT-Knight Science Journalism Fellow, and in 2018, she presented a fellowship via the Japan Center for International Exchange to file in Tokyo and Hiroshima. She obtained an award for hard information and was a part of the group that received an investigative reporting award from the Associated Press. Her audio documentary, “Crying Dry Tears,” obtained the first region in the Missouri Review’s 2016 Miller Audio Contest.
Caputo will use the Reporting Award to investigate racial and ethnic disparities in bone marrow donor registries.
Ben Mauk’s work has been published in the New York Times Magazine, Harper’s Magazine, the New Yorker, the London Review of Books, and Virginia Quarterly Review, amongst others. It is anthologized in The Best American Travel Writing. He often writes about fugitive, stateless, and nation-resistant populations and has pronounced memories from Southeast and Central Asia and across Europe and the U.S.
His story “The Useful Village,” which accompanied a year in the life of a small German farming metropolis and its overburdened asylum haven, became a finalist for the 2018 National Magazine Award for characteristic writing. In 2019, he received the inaugural Jamal Khashoggi Award for Courageous Journalism.
Mauk is an Iowa Writers’ Workshop graduate, a former Fulbright Scholar, a grantee of the Pulitzer Center on Crisis Reporting and the Matthew Power Literary Reporting Award, and a 2019 MacDowell Fellow. He has also received honors from the Western Writers of America and the Overseas Press Club of America. He co-founded and directed the Berlin Writers’ Workshop.
Mauk will spend his time as a recipient of the award reporting on life in the mass internment camps and surveillance towns of Xinjiang, China.
Adaobi Tricia Nwaubani
Adaobi Tricia Nwaubani is a Nigerian novelist, journalist, and essayist.
With the aid of Chance, her debut novel, I Do Not Come to You, won the 2010 Commonwealth Writers Prize for Best First Book (Africa) and a 2010 Betty Trask First Book award and was named by the Washington Post as one of the Best Books of the Year. Her debut Young Adult novel, Buried Beneath the Baobab Tree, primarily based on interviews with ladies abducted by Boko Haram, was posted with the aid of HarperCollins in September 2018. It received the 2018 Raven Award for Excellence in Arts and Entertainment. It was named one of the American Library Association’s Best Fiction for Young Adults and a Notable Social Studies Trade Books for Young People 2019 choice.
Nwaubani’s journalism focuses on under-reported humanitarian troubles. Her reportage and essays have appeared in ratings of courses, along with the New Yorker, the New York Times, and the Guardian. She writes a monthly column for the BBC’s Letter from Africa, additionally broadcast on the Focus on Africa radio program. She became a region manufacturer for the BBC/HBO documentary, “Stolen Daughters: Kidnapped via Boko Haram.” In 2017, Nwaubani became decided on as a fellow for the Ford Foundation’s inaugural Africa?NoFilter venture is a movement for promoting a diversity of narratives from across the African continent.
Nwaubani will commit her Reporting Award to a tale of the descendants of Africans who had been involved in the buying and promoting of fellow Africans throughout the transatlantic slave change.
Sarah Stillman, the inaugural recipient of the Reporting Award, traveled to Iraq and Afghanistan to report the abuse of 1/3 international carrier employees on U.S. Military bases there. Her piece, “The Invisible Army,” which seemed inside the June 6, 2011, difficulty of the New Yorker, won numerous of journalism’s pinnacle prizes in 2012: the National Magazine Award within the category of “Public Interest”; the Hillman Prize for Magazine Journalism; the Overseas Press Club’s Joe and Laurie Dine Award for International Human Rights Reporting; and the Michael Kelly Award for the “fearless pursuit and expression of fact.”